Sunday, November 8, 2015

The Dark Knight (2008)

When the menace known as the Joker wreaks havoc and chaos on the people of Gotham, the caped crusader must come to terms with one of the greatest psychological tests of his ability to fight injustice.

Director:

 Christopher Nolan.

Writers:

 Jonathan Nolan (screenplay), Christopher Nolan(screenplay).

Stars:

 Christian Bale, Heath Ledger, Aaron Eckhart.

Story line

Batman raises the stakes in his war on crime. With the help of Lieutenant Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the city streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as The Joker.

The Dark Knight Movie Reviews

I'm just gonna start off by saying I LOVE this movie.Its one of my favorites of all time. I honestly cant think of too much wrong with this movie other than its a little long and Batmans by now infamous voice. But everything else is top notch. The acting,story,atmosphere,and actions scenes are all amazing. If you haven't seen this movie see it right now! I went into this not expecting to much but I came out blown away, I cant imagine any movie being much better. I'll just have to wait for The Dark Knight Rises to release to see if anything can be better. Until then, this stands as the best movie I've ever seen.

The Dark Knight Rises (2012)

Eight years after the Joker's reign of anarchy, the Dark Knight is forced to return from his imposed exile to save Gotham City from the brutal guerrilla terrorist Bane with the help of the enigmatic Selina.

Director:

 Christopher Nolan.

Writers:

 Jonathan Nolan (screenplay), Christopher Nolan(screenplay).

Stars:

 Christian Bale, Tom Hardy, Anne Hathaway.

Story line

Despite his tarnished reputation after the events of The Dark Knight, in which he took the rap for Dent's crimes, Batman feels compelled to intervene to assist the city and its police force which is struggling to cope with Bane's plans to destroy the city.

This Movie Reviews

So is The Dark Knight Rises better than The Dark Knight? If you were one of those fans who prefer Batman Begins to TDK then you'll find much to love about TDKR. And if you weren't then no Batman film will ever match TDK for you. (SPOLIER ALERT)And yes, it is The End, a resounding resolution for what Batman Begins begun. Threads from that film are picked up, lengthened and strengthened, bringing a staunch integrity – in every sense – to the overall arc. Is it perfect? Factor in some clunky catch-up exposition near the start, a cringey log-fire love scene and moments where Hans Zimmer's score nearly foghorns the actors off the screen and the answer's no. An even bigger question: is it up there with The Dark Knight? Not quite.

Inception (2010)

A thief who steals corporate secrets through use of the dream-sharing technology is given the inverse task of planting an idea into the mind of a CEO.

Director:

 Christopher Nolan.

Writer:

 Christopher Nolan.

Stars:

 Leonardo DiCaprioJoseph Gordon-LevittEllen Page.

Story line

Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.

Inception Movie Reviews

Inception is written, produced, and directed by Christopher Nolan. The film stars Leonardo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Cillian Murphy, Dileep Rao, Tom Berenger, and Michael Caine. The musical score is by Hans Zimmer and Wally Pfister is the cinematographer. Plot finds DiCaprio playing Dom Cobb, a specialised spy for hire who steals ideas from the dreams of people. But one day he gets a different offer, one that will enable him to see his estranged children. To get his reward he must enact Inception, the planting of an idea in the mind of the selected target. But Inception is thought impossible and should Cobb and his selected team fail? The consequences are unthinkable.

There has already been much written and pondered about as regards Inception in the relatively short running time of its life. One can only imagine what will be written and said about it in ten years time. For although it's arguably a bit too early to be talking about it being held in such high regards as the likes of 2001: A Space Odyssey, it's inescapable that Nolan's movie is this current generation's sci-fi classic. That Nolan has managed to make it accessible to the mainstream, and dazzled the eyes as much as the brain in the process, is close to being a piece of genius craftsmanship.

Inception is a film that it's better to know nothing about before venturing into it, and then it asks, well Nolan asks, for your undivided attention. It's neither as confusing as some have painted it, nor does it have any tricks-peek behind the curtain type-up its sleeve. The truth is is that Inception has something for everyone; thematically speaking, and that's before we pore over the special effects that sees Nolan raising the bar considerably. As is the case with twisty high concept movies, interpretations are many, with the director rightly abstaining from discourse about his movie. What forms the basis is your basic life and death struggles, with the grey areas during and after given a clever cinematic make over. There's also meditations on grief that this reviewer personally found easy to get involved with; that of course wont work for everyone, but that is just one of many strands that Nolan dangles for the discerning viewer.

If that all sounds a bit too serious for the man who has redefined the Super Hero genre, rest assured thrill seekers, Inception is also a loud swirly spectacle. The action is raucous, be it gun fights or zero gravity punch ups, Nolan has not lost the ability to take the viewer on an action fuelled roller-coaster ride, aided superbly by Lee Smith's editing and Pfister's perfectly broad photography While Zimmer's score blends electronic action pulse beats with saddened guitar strains (ex-Smiths guitarist Johnny Marr on 12 string) to craft one of the best scores of 2010. As I said, there's something for everyone here, making it perhaps one of the leading nominees for title of ultimate modern day blockbuster.

Then there's the strong ensemble cast, led by a quite scintillating performance from DiCaprio. Following on from his cards played close to his chest turn in Shutter Island, DiCaprio has given 2010 two of its best lead performances. Here he gives real depth of emotion, the kind that makes it easy for the viewers to hang their hats on. His unfussy acting is easy to buy into, giving the character the air of believability, he is the glue that binds the whole film together. Murphy is wonderfully vulnerable, very much an axis in the narrative, while Levitt almost usurps DiCaprio with a neatly layered portrayal that carries a delightful whiff of duality about it. Special praise, too, for Ellen Page. Still in her early 20s, she exudes an intelligent sexiness that shines bright in a role that could have been boorishly played as a cipher in a lesser actress' hands. While Hardy provides brawny levity and Berenger leaves a favourable mark.

The Matrix meets Heat and Mission Impossible, only it's written by Phillip K. Dick and Richard Matheson; or something like that. A cracking hybrid movie that's fit to grace any summer and sure to improve and enlighten with further viewings. 9.5/10

Kill Bill: Vol. 1 (2003)

The Bride wakens from a four-year coma. The child she carried in her womb is gone. Now she must wreak vengeance on the team of assassins who betrayed her - a team she was once part of.

Director:

 Quentin Tarantino.

Writers:

 Quentin Tarantino, Quentin Tarantino (character The Bride) (as Q).

Stars:

 Uma Thurman, David Carradine, Daryl Hannah.

Story line

The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins.

This Movie Reviews

That there are so many sheep out there whose goodwill towards Tarantino extends towards giving this film anything other than a firm thumbs down. 

What a mess. A genuinely embarrassing effort with terrible characters, wooden performances and no plot to speak of all covered up with glossy production design and ludicrous fight sequences. Most critics agree it is his worst film by a country mile.

I am prepared that the whole thing should be redeemed by Kill Bill 2. But this on its own, Kill Bill 1 is rated so highly on IMDb that it makes the Top 250 above films such as Butch Cassidy, Life of Brian, Annie Hall to name just three. That is because there are a lot of complete idiots out there. 

Hopefully this will go towards redressing the balance.

Kill Bill: Vol. 2 (2004)

The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd and the treacherous, one-eyed Elle.

Director:

 Quentin Tarantino.

Writers:

 Quentin Tarantino, Quentin Tarantino (character The Bride) (as Q).

Stars:

 Uma Thurman, David Carradine, Michael Madsen.

Story line

The murderous Bride is back and she is still continuing her vengeance quest against her ex-boss, Bill, and taking aim at Bill's younger brother Budd and Elle Driver, the only survivors from the squad of assassins who betrayed her four years earlier. It's all leading up to the ultimate confrontation with Bill, the Bride's former master and the man who ordered her execution! 

This Movie Reviews

Oh Boy. How does one start? Quentin, me owld mate... What a crock of... well, you know. After the first KB, I was expecting something special. Yes, you did indeed "tell the story" behind The Bride's search for revenge, but in honesty, at the end of the day, why did you bother? Oh. Silly me. Money, that's why!

Mr T, I have always had a soft spot for you, your awful tongue-in-cheek cameos, your shocking, raw film-making, and your sheer enthusiasm for the medium of film, but to use your language - for f***s sake! What were you thinking man? This is 1st year film student stuff. I watched this last night with my partner. We were hard pushed to stay awake! Neither of us could believe just how s-l-o-w this film was. The story could have been told in less than 15 minutes!! What gets my goat is that you took 15 minutes-worth of story, blew it out of all proportion, and then sold it to us poor slobs as a fitting sequel to KB1. Man, I have lost a lot of respect for you.

Oh, and before you other losers on here give me a hard time about "The Art" or that "Action isn't everything", get a grip! This film didn't have any art and bog-all action!! It had no substance. It did not "Grab you" and make you want to stay in your seat. We only stopped to the end because we had paid to see it.

QT, if you ever read this - you should be ashamed of yourself. I want my money and the time you took from me returned.

To anyone reading this review, if it ever gets posted up - beware, there are going to be a serious number of disappointed people out there and you may be one of them. QT said it would be "different". What he did not say was just how different from "Good" that it would be. This is QT's worst film. EVER.

Man on Fire (2004)

In Mexico City, a former assassin swears vengeance on those who committed an unspeakable act against the family he was hired to protect.

Director:

 Tony Scott.

Writers:

 A.J. Quinnell (novel), Brian Helgeland (screenplay).

Stars:

 Denzel Washington, Christopher Walken, Dakota Fanning.

Story line

A wave of kidnappings has swept through Mexico, feeding a growing sense of panic among its wealthier citizens, especially parents. In one six-day period, there were twenty-four abductions, leading many to hire bodyguards for their children. Into this world enters John Creasy, a burned-out ex-CIA operative/assassin, who has given up on life. Creasy's friend Rayburn brings him to Mexico City to be a bodyguard to nine-year-old Pita Ramos, daughter of industrialist Samuel Ramos and his wife Lisa. Creasy is not interested in being a bodyguard, especially to a youngster, but for lack of something better to do, he accepts the assignment. Creasy barely tolerates the precocious child and her pestering questions about him and his life. But slowly, she chips away at his seemingly impenetrable exterior, his defenses drop, and he opens up to her. Creasy's new-found purpose in life is shattered when Pita is kidnapped. Despite being seriously wounded during the kidnapping, he vows to kill anyone.

Man on Fire Movie Reviews

Alcoholic mercenary Creasy (Washington) is all washed-up, until his friend (Walken) finds him a job in Mexico City, as bodyguard for a rich family's little girl Pita (Fanning). The taciturn man and melancholy girl slowly develop a strong bond... that is utterly shattered the day that Pita is kidnapped and that negotiations are sorely mishandled.

"Man on Fire"'s title works against it. It proclaims an adrenaline-fueled action film, when in fact what we get is very different. What could be mistakenly thought to be a prologue (Creasy is introduced, meets Pita and the relationship is shown) constitutes a good half of the film's running time. Washington and Faning are on top form, the former tortured and angry and the latter endearing without being cloying, so it is a tribute to Scott and screenwriter Helgeland that the film takes its time showing their odd relationship. This makes things all the more hurtful and outraging when she is captured in a kidnapping that leaves Creasy severely scarred, both emotionally and physically.

The film earns its title in the second half, not because of non-stop action - which it fore-goes in order to give us something more pondered and cruel - but because Creasy is literally ablaze with silent fury. As he hunts down anyone who participated or profited from Pita's kidnapping, dismantling rings of Mexico City's tower of corruption, his methods get bloodier while his movement actually get slower. Creasy races against time and his own likely death, as a tragic figure who's newfound reason to live has been taken away from him.

The performances are fine, with great turns from the two leads and superb supporting turns by the always reliable Christopher Walken and Jiancarlo Giannini. What sometime detracts from the film's quality is Tony Scott's now signature messy visuals. While some shots are magnificent, reminiscent of brother Ridley's work, some are almost trashy and epilepsy-inducing (some unnecessary hyper-MTV editing). the man redeems himself by handling his actors with care, superbly illustrating his environment and creating a stark atmosphere.

This is a precious oddity: a quality blockbuster.

V for Vendetta (2005)

In a future British tyranny, a shadowy freedom fighter, known only by the alias of "V", plots to overthrow it with the help of a young woman.

Director:

 James McTeigue.

Writers:

 Andy Wachowski (screenplay) (as The Wachowski Brothers) , Lana Wachowski (screenplay) (as The Wachowski Brothers).

Stars:

 Hugo Weaving, Natalie Portman, Rupert Graves.

Storyline

Tells the story of Every Hammond and her unlikely but instrumental part in bringing down the fascist government that has taken control of a futuristic Great Britain. Saved from a life-and-death situation by a man in a Guy Fawkes mask who calls himself V, she learns a general summary of V's past and, after a time, decides to help him bring down those who committed the atrocities that led to Britain being in the shape that it is in.

V for Vendetta Movie Reviews

'V for Vendetta' will no doubt be remembered as being one of the most well-produced films of this decade for its powerful script, strong character depictions and the sheer excellence in terms of quality. Loosely based on the DC Comic, the film is set in a totalitarian Britain where the BNP-like government who run the country with an iron fist that they make Thatcher's Tories look positively warm and trustworthy. Then emerges a vigilante in the form of V, a man deformed by fire and the governmental experiments that have given him enhanced strength, who is determined to free the UK from dictatorship by blowing up the Houses of Parliament. Evey is the young woman who is unwittingly embroiled in his plot and soon understands what just it is that motivates V so.

The acting in 'V for Vendetta' was top-notch and, along with the well-written script and apt soundtrack, gave the film the essence to engage the audience and make them feel-- for better or worse-- for these characters. Although her accent was wobbly in places, Natalie Portman delivered a strong performance as Evey, depicting the character's growing love for V and the realisation that the time for her to fight has arrived. Stephen Rea also deserves a mention, as the detective who begins to grasp just how corrupt the government he has supported really is, as does Stephen Fry who proves he can do much more than play bumbling characters in his performance as Deitrich, a protester who hasn't quite grasped just how far the government will go to shut their opponents up. John Hurt's Chancellor Sutler was very terrifying as the dictator who couldn't give a toss about his people so long as he remained in total power. However, above all, it was Hugo Weaving's absolutely brilliant depiction of the lead character V who dominates. Without ever seeing his facial expression, he exudes the pragmatism, charisma and intelligence of the character with a twist of revenge-driven madness.

Entertainment-wise, the film doesn't fail with it's apt soundtrack and well choreographed fight scenes that do remind you that this was based on a comic book. Yet 'V for Vendetta' maintains the ability to leave the audience shaken and chilled at the thought of how easily a Western country can be ensnared by tyranny when a corrupt government is allowed too much power and goes too far. The elements dealt with are all the more disturbing with the state of the world today. I imagine it will touch a deeper cord with Britons like myself (it would have been interesting to see more on how Scotland, Wales and Northern Ireland had fared in this new world though) as it is so rare that a Hollywood film is set in the UK. It's always simpler to pretend these things could never happen here so it is a sharp shock to see such a dark future located in familiar surroundings of home.

I highly recommend this film to all as it will leave you both entertained and pondering matters raised in the storyline long after the credits have rolled up.